1971–1978
Director
Institute of Contemporary Art
University of Pennsylvania
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Conceptualized and, in most cases, served as the frontline curator for an annual cycle of one-person and thematic exhibitions
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Toured acclaimed Institute-originated exhibitions nationally and internationally
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Published scholarly catalogues, many of which are collectors’ items today
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Initiated a student internship program and Saturday family programs
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Built alliances with Philadelphia artists and mounted artists’ projects in sites around the city
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Leveraged the university’s annual allocation with increased government and private support
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Secured a six-figure contribution to create the Institute’s first endowment fund
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Realigned the Institute’s reporting relationship from the fine arts department to the provost of the university